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Local Inventor, Brittany Evans, Speaks at Church Seminar

Brittany Evans

Brittany Evans

Just a couple of weeks ago we ran an article on Brittany Evans, a local Fontana teen who overcame bullying by following her God given potential who is not only a motivational speaker but is also a inventor with her patent pending innovation Sparkbudz. She has recently been promoting her invention, as well as sharing her testimony to teens and young adults in her community. Her latest endeavor includes a speaking engagement that she will participate in at her local church during their “Millionaire Boot Camp” on Saturday, September 13.

She says, “God has done many amazing things in my life, not only has he blessed me with an amazing supportive family, but he has brought people in my life to help promote the invention he has blessed me with. There have been times were I felt I have been tested but I allowed those tests to become my testimony”.

Brittany who balances school and work, also gives back by volunteering has a junior trainer for an organization called B.O.S.S The Movement. She motivates and inspires to tell teens to follow their path and be unique.

If you want to hear more about her story go to www.Sparkbudz.com.

 

 

 

 

 

 

 

 

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THE CALIFORNIA AFRICAN AMERICAN MUSEUM’S EXHIBITION VISIBLY INVISIBLE FOCUSES ON THE PLIGHT OF THOSE AFFLICTED WITH ALBINISM

LOS ANGELES, CA-While addressing the issues of myth and tradition within albinism, the California African American Museum’s (CAAM) exhibition Visibly Invisible is sure to spark dialogue about the issues faced by people of African descent living with this condition – discrimination, prejudice, mutilation and murder. Visibly Invisible opens at CAAM August 29, 2014 and is ongoing through March 1, 2015.

Visibly Invisible highlights Jamaican-born, Los Angeles-based, artist Yrneh’s Gabon Brown’s international journey while researching and documenting the devastating effects of prejudice, ignorance and violence inflicted upon people with albinism in Tanzania, Jamaica and, to a lesser degree, the United States. Albinism is defined as an inherited condition present at birth, characterized by a lack of the pigment that normally gives color to the skin, hair and eyes.

Through videos recorded during his journeys and artwork created in various media (photography, collage, assemblage, sheet metal, cast bronze and ceramic sculpture), Brown shares the inspiration from his trips and the heartfelt devotion he has developed towards children and adults living with albinism.  In his first solo exhibition at a major Los Angeles museum, Brown has produced powerful work intended to effectuate change through artistic exploration, social engagement and public discourse.

The artist, a former model, singer and actor, is a recent graduate from the University of Southern California’s Roski School of Fine Arts program. He had a passion for the visual arts and a desire to combine his many talents with his interest in albinism in USA and abroad. Upon the completion of his degree at USC, Brown traveled to Tanzania, Eastern Africa, where he found first hand-account of the reality experienced by people with albinism.  In Tanzania it is believed that those born with albinism possess magical powers and that their body parts can generate great wealth.

Ultimately, Brown’s goal is to debunk the myths attached to people with albinism and continue to lend his support.

Programs in association with Visibly Invisible include the following;

WALK-THROUGH and CONVERSATION

Saturday, September 20, 2014, 1:00 – 4:30 p.m.

Join artist Yrneh Gabon Brown and exhibition curator Mar Hollingsworth for a dynamic walk-through of the exhibition Visibly Invisible, and an additional informal conversation with local scholars, advisers and supporters, Paul Van Blum and Karen Koblitz. Light refreshments will follow.  RSVP preferred at 213.744.2024

DANCE AND POETRY PERFORMANCE

Sunday, November 2, 2014, 2:00 – 3:00 p.m.

Inspired by his experiences in Tanzania, Yrneh Gabon Brown performs a unique piece accompanied by professional dancers from JazzAntiqua Dance & Music Ensemble. Choreography: Pat Taylor.

FILM SCREENING: BLACK AND WHITE: CRIMES OF COLOR (58 min)

Saturday, January 10, 2015, 2:00 – 3:00 p.m.

This film documents the efforts of Vicky Ntetema, a BBC radio journalist, as she begins an investigation into the black market traffic of body parts of persons with albinism.  Film courtesy of Under the Same Sun, an organization devoted to helping people with albinism in Tanzania.

PANEL DISCUSSION:  ALBINISM IN TANZANIA

Saturday, February 7, 2:00 p.m. – 4:00 p.m.

CAAM is proud to present a panel discussion exploring the genetics behind albinism, and the social-political factors leading to the plight of the albino people.  Panelists include Dr. Murray Brilliant, PhD., senior scientist and director at the Center for Human Genetics at the Marshfield Clinic Research Foundation, Wisconsin, and Dr. Rebecca Kammer, clinical consultant, Optometric Education at VisionCare Ophthalmic Technologies, and founder of Low Vision U, Orange County.

Exhibitions and events at CAAM are free and open to the public. Parking is $10 in the lot adjacent to CAAM, at  39th and Figueroa Streets.  CAAM is located at 600 State Drive, Exposition Park, 90037. For more information on CAAM visit www.caamuseum.org.

Ongoing Exhibitions in CAAM’s Galleries

Recent Acquisitions: Curatorial Selections ongoing through September 7, 2014

Curvature: Lines and Shapes ongoing through November 2, 2014

Visibly Invisible opening August 29, 2014 through March 1, 2014

Lookin’ Back in Front of Me: Selected Works of Mark Steven Greenfield, 1974-2014 opening September 25, 2014 through April 5, 2015.

Golden State Mutual Life Insurance Company: More Than a Business Extended Exhibition

ABOUT THE CALIFORNIA AFRICAN AMERICAN MUSEUM

The California African American Museum (CAAM) is a state agency charged with researching, collecting, preserving and interpreting for public enrichment the history, art and culture of African Americans. Collaboratively operating in partnership with its 501(c)(3) non-profit organization Friends, the Foundation of the California African American Museum, CAAM houses a permanent collection of over 4,000 objects of art, artifacts and historical documents, and a publicly accessible Research Library containing more than 20,000 volumes.

To bring its mission to life, CAAM hosts up to 13 exhibitions annually and tours several of its organized exhibitions nationally.  CAAM also presents a wide variety of more than 80 annual public programs ranging from educational and curriculum-driven lectures and tours with scholars and experts to art workshops, film screenings, and its highly popular signature series of monthly live performances Target Sundays at CAAM.

In furtherance of its value-driven commitment to mentor the next generation and give back to the community, CAAM proudly trains and employs high school students year-round through its Young Docent program; offers Buses & Docents as a source of equitable access to field trip opportunities for school and community groups that otherwise could not afford the transportation; fosters cross-issue, cross-town and cross-cultural learning and dialogue through its Young Voices at CAAM school exchanges; actively advocates literacy, book reading and written expression through Heads are Turning, Children are Learning; and, creates small business development and customer outreach opportunities for artists and craft-makers through its on-site Artpreneur vending program.

 

Letter to the Editor: “How Long, Not Long”

Dr. Mildred Henry

Dr. Mildred Henry

From: Dr. Mildred D. Henry, Retiree

This 81-year-old writer asks, “How long will the slaughter of African American males continue?”  In my lifetime, Black males have been tortured, executed, and hung from trees. This writer witnessed our family cotton gin and general store burned to the ground, twice, by racists.  Today, horses have been replaced with cars; and sticks and ropes traded for guns.  In Fruitland Park, Florida, sheets of a notorious hate group were traded for law enforcement uniforms.  On behalf of Dan’te Parker, Michael Brown, Trayvon Martin, Donte Jordan; and others, in the words of Dr. Martin Luther King, Jr., I ask How long?” Through the years the south was infamous for racial hatred and abominable acts, however, now barbaric activities against Blacks take place nationwide.

Weekly, in California, Missouri, Alabama, Illinois, Ohio, all across the nation, a Black mother’s son dies at the hands of professed law enforcement personnel who are sworn to protect, not to kill our citizens.  Black men have been shot in the back; shot in the top of the head; choked, and electrocuted to death by law enforcement officers.  How long before these atrocities are stopped?

Dan’te, a hard-working, good natured, father of five children, who loved to sing, left home in Victorville, California riding his son’s mongoose bike because Dante’s bike had a flat tire.  He was exercising to lose weight.  Dante was stopped at approximately 5 PM by a Deputy Sheriff because of a reported attempted break-in at a residence. The resident, reporting the incident, said the suspect left riding a bicycle.  ‘A Black man on a bike’ was stopped by a law enforcement officer, stunned by a Taser “multiple times”, “more than five times”, was dead by 6 PM, and his family never notified.  Why?  How Long?

By 11 PM, when her husband had not returned home, a concerned, alarmed, wife began phone calls only to be informed that her husband was at a medical facility. Accompanied by her father-in-law, the wife went to the facility, was questioned by detectives, and after several hours of waiting, when she asked to see her husband, was informed that her husband’s body had been transported from Victorville, in San Bernardino County, to Riverside County.  The family was never notified.  Reportedly Dante’s six year old son asks every morning, “Why all black men have to die?”  This writer asks, “How Long?”

The eleventh edition of Merriam-Webster’s Collegiate Dictionary defines genocide as: “The deliberate and systematic destruction of a racial, political, or cultural group.”

How long will this seemingly open season on Black males continue? From the cradle, through the prison, to the grave, seems to be the designated channel for too many Black males in our society. Blacks do not own the airplanes and ships that bring drugs to the neighborhood, nor do we manipulate the systems that eliminate jobs.  However, there is always an ample supply of drugs and gangs on the street corners. Seemingly, there are those who destine Black youth to go from the schoolhouse to the courthouse to the jailhouse, so that they have no opportunities to be in their own house.  How long will we tolerate this systematic demise of a people?

The outrage crosses racial, generational, gender, and all barriers. A 90 year old Caucasian female survivor of the Holocaust was arrested in Ferguson, Missouri as she marched for transparency and justice. We send Black males around the world to protect the very hands which needlessly kill them in their own country.  How Long will this continue?

How long will culturally uneducated politicians refuse to listen to those who have “boots on the ground” in the Black communities and culture?

This “open season” and massacre of Black males must end.  How long?  I hope not long because we can wait no longer for accountability and an end to the genocide.